Hi! Back at my mom’s house. The semester almost killed me, it had be against the wall and my energy bar was down to a mere 3%, but I have returned and I am roughly ten thousand times more powerful as a result. Ditto all my friends; it was true trial by fire for reals.

But anyway yeah, I got some sleep at my mom’s and whatnot; I’m headed to New York for the requisite New Years’ nonsense. I keep meaning to synopsize it all meaningfully here, writing little summaries in my head while I walk around here getting coffee and feeding the cats, etcetera, but I can’t remember any of it. So until I get my shit together, here’s my rework of “losing my edge” from like a year and a half ago, and now it’s dedicated to all those entering Doug Scott’s “History of Graphic Design” class this spring. Fuck yes. Happy chanukkah, motherfuckers!

-fish

yeah I’m losing my edge
I’m losing my edge
the kids
are coming up from behind

I’m losing my edge
I’m losing my edge
to the kids
from yale
and from sciarch

but I was there

I was there in 1898
I was there at the first punchcutting of aksidenz-grotesk

I’m losing my edge
I’m losing my edge
to the kids
whose footsteps I hear
when they pin up their work

I’m losing my edge
to the internet seekers
who can tell me
every draftsman
from every good firm
from 1962 to 1978

I’m losing my edge
I’m losing my edge
to all the kids
in tokyo and berlin
to the art school brooklynites
with little moleskines
and borrowed nostalgia for unbuilt saint petersburg

I’m losing my edge
I’m losing my edge

but I was there

I was there
I was there

I’m losing my edge
I’m losing my edge

I can hear the footsteps
every night at the computer

but I was there
I was there in 1975 at the first publication of the push pin graphic
I was working on the kerning, with much patience
I was there when martin venezky started up his first firm
I said “don’t do it that way, you’ll never make a dime”
I was there
I was the first guy showing lot/ek
to the deconstructivists
I showed ‘em at cooper union
everybody thought it was crazy
we all know, I was there

I was there

I’ve never been wrong
I used to work at phaidon
I saw everything before everyone
I was there at weimar with johannes itten
I was there at the GSD during great debate between christopher alexander and peter eisenman
I woke up face on the keyboard after final GSAPP crits in 1997

but I’m losing my edge
to bettter looking people
with better ideas
and more talent
who are actually really really nice

I’m losing my edge

I heard you have a bookshelf with every good book
every great poster by tschischold
all the modernist hits
all of the archigram maquettes
I heard you have a test print of every mike cina poster on epson semimatte
I heard you have an autographed copy of every koolhaas book from 75, 89, 98
I heard you have an online scan archive of every good art nouveau lithograph
and another flat file from de stijl

I hear you are buying a drafting table
and a bone folder
and throwing your computer out the window
because you want to make something real
you want to make a gehry coffetable book

I hear that you and your firm have sold your CAD workstations and bought powerbooks
I hear that you and your firm have sold your powerbooks and bought CAD workstations

I hear that everybody that you know is more relevant that everybody that I know

max bill, griffo, jenson, OMA, louis sullivan, HHR, milt glaiser, cecil balmond and arup, SOM, kusama, bonnard, gordon matta-clark, widen and kennedy, superbad, didot, ogilvy, paul rand, richard neutra, agfa monotype, josef albers, herzog and demuron, skolos/wedell, bucky fuller, taki 183, jeremy bernstien, john maeda, banksy, bodoni, richard meier, jessica helfland, designers republic, dave eggers, moholy-nagy, mies van der rohe (LESS IS MORE!), rafael vinoly, sanford kwinter, fontshop, LARS MUELLER PUBLISHERS!! gregor schneider, mutabor, mariko mori, die gestalen verlag
font bureau
art deco
karel martens
karel martens
karel martens
karel martens

we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want
we all know what you really want

what is that?

holy shit!
what year was that photo taken?!

1992 or 1993 I do believe. that was me at my most awkward-looking, as far as I can ascertain. we’re printing out our most awkward pictures and hanging them up in the studio, ha!

i personally don’t think it’s as appalling as everyone else seems to be responding - i suppose it’s because i have such a strong affinity for your face in any state. or maybe it’s just because i might think you never stopped looking your most awkward! oh!!! snap. love!

you like like you could work for turntablelab. or a company that makes lollipops of steel.

fuck yes, I will do both. I will revolutionize turntablelab’s business model. I mean they’re already called the “wheels of steel”, the pairing is just painfully obvious. we’ll print money. you, sir, are a fucking genius.

i am pretty sure this picture was taken last year.

and i am pretty sure said image rocks me.

i love that lcd soundsystem parody. i feel like i’m constantly referencing the original in my grad seminar.

@marcos: thanks! but how are you referencing the original? personally in my 3/1 year I was always referencing “yeah”, particularly the “everybody keeps on talking about it / nobody’s getting it done” bit. yeah!